May 2018 is an investigation into the relationship between the media system and militant news. Fifty years after May 68, the start of 2018 has seen the emergence of a desire to bring struggles together to confront the government's reformist intentions.

Presented as a device, this project integrates different types of images and symbols, highlighting various formats, languages and aesthetics. Media elements are activated, information converges, temporalities are distorted and a reality is revealed between transparency and opacity.